The Thorne Rooms
Narcissa Niblack Thorne, the wife of James Ward Thorne, son of one of the founders of Montgomery Ward, commissioned this group of exquisite room boxes. Her interest in miniatures began early and was encouraged by trinkets sent to her by her uncle, a Rear Admiral in the US Navy. This passion continued into her adult life.
In the 1920s, after World War I, the Thornes, traveled extensively abroad where miniature collections were suddenly coming on the market at fire-sale prices, thanks to the post-war economy.
The First 30 Thorne Rooms
The high unemployment of the Great Depression made it possible for Mrs. Thorne to hire workers with highly specialized skills. Most of her exhibitions were private, and held to raise funds for local charitable causes.
Between the early 1930s and 1940, using the talents of master craftsmen, she assembled the nearly 100 miniature boxes now known as The Thorne Rooms. The first 30 rooms, finished in 1932, used miniatures from her collection.
16th – 20th Centuries
In most of the second set of rooms, Mrs. Thorne created a chronological history of European, primarily English and French design, from the 16th through the 20th century. She also included some Oriental rooms depicting Chinese and Japanese styles.
On Tour
The first known exhibition of her work occurred in 1932. Subsequent public exhibits included the Art Institute of Chicago, the Century of Progress Exposition in 1933, and the Chicago world’s fair in 1934. They were also displayed at the 1939 New York world fair.
In 1936, she received a request to make a miniature library depicting a room at Windsor Castle, to mark the planned coronation of Edward VIII. As Edward abdicated the throne to marry the New YorkThe coronation never occurred, she delivered the room and it was displayed at the Victoria and Albert Museum.
Upper-Class Rooms
Thorne’s best-known works show the interiors of upper-class homes in England, the United States, and France. The rooms are generally built on a scale of approximately 1:12, or one inch to one foot. They are painstakingly precise, and when maintenance is required, it has to be done with delicate tweezers and cotton swabs, the furnishings being carefully restored to their original position with reference to a detailed layout plan.
When a permanent gallery was established for the Thorne Rooms at the Art Institute in 1954, Thorne set up a fund to cover the costs of caring for the works. Follow this link to see pictures of all sixty-eight of the Thorne Rooms miniatures housed in this gallery.
Look at all sixty-eight of these wonderful miniatures, plus a portrait of Narcissa Niblack Thorne.
Patrick Owens
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